It's a fact.
In most vintage equipment the headphone output was derived from the main amplifier outputs - through a series resistor or voltage divider.
How much power you get with this arrangement depends on the value of the resistors used, and the impedance of your headphones.
However, there are drawbacks to this output topology.
In most older equipment, the main speaker outputs are a little noisy for use with headphones, and have a little too much distortion - especially at very low output levels.
(And these limitations are a lot more noticeable with headphones than with speakers.)
Virtually all modern equipment, including the TA-100, and all of our other products, uses a separate little amplifier just for the headphone output.
These range from a simple circuit with a few transistors, to a more or less normal op-amp, to specialized headphone amplifiers.
Most of these dedicated headphone circuits are pretty quiet, and the distortion is quite low, but they vary considerably in terms of how much power they put out.
Also, because they don't use a series dropping resitor, they have a relatively low output impedance, and don't interact very much with the impedance of various models of headphones.
We use several different headphone amps in different pieces of equipment like the TA-100.
They all sound good, with very little noise or distortion, and deliver enough power to run typical headphones of average efficiency very well.
The BasX A-100 is special because it uses the same arrangement as vintage equipment - with the headphones powered from the main output via dropping resistors.
With this arrangement you get a lot more voltage - which works especially well with high impedance headphones.
It also provides plenty of power for low impedance headphones.
We avoided the drawbacks of this arrangement in vintage equipment by designing the main outputs on the A-100 to be much quieter and cleaner than in vintage equipment.
Because the output impedance is rather high - 220 Ohms on the A-100 - the amplifier does interact with the impedance of your headphones to some degree.
This means that, when you connect headphones to the A-100, they'll sound more like they do when you connect them to vintage equipment - minus most of the flaws.
It also means that many headphones will sound slightly different when you connect them to the A-100 than when you connect them to other equipment.
This is with the JUMPERS OUT.
When you install the jumpers, they bypass the dropping resistors, and connect your headphones directly to the main outputs.
This is the recommended arrangement with certain few low efficiency headphones - like certain electrostatics and certain low efficiency planars.
It also works really great with high impedance headphones, giving you lots of damping, and plenty of voltage to drive them really well.
You can also use this arrangement with low impedance headphones, but you have to be VERY careful...
You'll get lots of damping, and plenty of power, but the noise floor may be a bit high, and the gain will be VERY high.
That means that you'll be using the volume control way down near the bottom of its range... and you CAN easily blow out your headphones - and your ears - if you turn it up too high.
(if you use this arrangement a lot you may prefer to put 12 dB fixed attenuators in line with the inputs of the A-100.)
You also have to be REALLY careful when switching between headphones if you run the A-100 with the jumpers in.
With the JUMPERS IN, a Volume setting that's just comfortable with high impedance headphones can be downright dangerous with low impedance models.
So be VERY SURE that you turn the Volume ALL THE WAY DOWN when switching from high impedance headphones to low impedance models...
And ALWAYS start playing music with the Volume control all the way down when you're using low impedance headphones with the A-100 with the jumpers out.
The A-100 is currently the only piece of equipment we have with this type of headphone outputs... and the only one with this sort of jumpers.
(The headphone amps on the DC-1 had jumpers, but they served a very different purpose... they allowed to to select a slight bump of about 1 dB around 50 Hz.)
Is this fact or a guess? Did you watch the video comparison? So your saying there’s another amp in the TA-100 just for the headphones? Even though plugging them in will bypass the speaker outputs?