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Post by savjac on Mar 25, 2012 17:26:01 GMT -5
Irrespective of anything else, they are very good looking units. They would look bitchin on my shelf.
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Post by jerrin on Mar 25, 2012 21:01:56 GMT -5
No lie there. They do really look posh.
I'm hoping the Reference line sounds as good as it looks (or better).
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RadTech
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Post by RadTech on Mar 25, 2012 21:38:36 GMT -5
They do look good and I may need some more power for HT. However, it would have to real be something special for me to take the RPA 2 out of my 2 channel rig.
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Post by UT-Driven on Mar 25, 2012 21:49:44 GMT -5
I'm am hoping that the gain is dropped down for this line. The high gain is one of the reasons I am staying away from using an XPA-5 to match with the XMC-1when it is released.
Doug
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Pauly
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Post by Pauly on Mar 25, 2012 21:57:08 GMT -5
I'm expecting 28 or 29db gain with these. Isn't that what the RPA was at?
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RadTech
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Post by RadTech on Mar 25, 2012 21:59:11 GMT -5
I'm expecting 28 or 29db gain with these. Isn't that what the RPA was at? 29 db.
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RadTech
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Post by RadTech on Mar 25, 2012 22:04:05 GMT -5
I'm am hoping that the gain is dropped down for this line. The high gain is one of the reasons I am staying away from using an XPA-5 to match with the XMC-1when it is released. Doug I hope so too! I understand their reasoning but at this level I doubt most buying will use an AVR as a pre/pro. Of course I could be wrong as it wouldn't the first or last time. ;D
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Deleted
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Post by Deleted on Mar 25, 2012 22:23:49 GMT -5
I hope it's not too high My speakers are 103db ;D My LM 3886 GainClone has a gain of 23.1 db. I use Rothwells on it. So I guess it would be a gain of 13.1 lol
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Pauly
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Post by Pauly on Mar 25, 2012 22:27:00 GMT -5
So when people tell you to crank it to 11, you crank it to 22 or so? lol
Bad joke, sorry.
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Post by Deleted on Mar 25, 2012 22:31:06 GMT -5
So when people tell you to crank it to 11, you crank it to 22 or so? lol Bad joke, sorry. I remove the Rothwells ;D
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Post by Nemesis.ie on Mar 26, 2012 2:30:09 GMT -5
Yea. But the Reference Line needs exclusivity and not run of the mill. Then you can't ask a good price for them. But I tend to agree with you Not sure about "exclusivity" that usually means paying extra so less people will have it. IMO it should NOT be about that, but putting the best components (within a sensible non-diminishing returns envelope) in and selling for a reasonable price - like all the Emotiva gear. "Exclusivity" is not the Emotiva ethos - they have e.g. Sherbourne for that line of thinking/B&M.
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Post by alhull on Mar 26, 2012 11:56:12 GMT -5
Hi all, Look what Lonnie let out of their cages!!! Wow! The new XPR's will arrive on the site very soon and will be shipping this summer... hope you like them! Cheers! Big Dan the attached .jpg file won't open...
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Post by jmilton on Mar 26, 2012 12:12:51 GMT -5
...looks something like this:
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Post by dimemecka on Mar 26, 2012 13:26:44 GMT -5
look sweet
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Post by knucklehead on Mar 26, 2012 13:31:16 GMT -5
To me looks are superfluous when it comes to amps - and women. Can she cook?
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jamrock
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Post by jamrock on Mar 26, 2012 16:14:55 GMT -5
You are always going to get great value with Emo products. And the Reference Line will also represent good value. However, when I talk about exclusivity, I'm talking about real performance over the other lines. Not just a different look or few more features. In other words: Can you HEAR the difference? Then and only then will folks feel that the additional prices are justified because the Reference Line of products are going to cost more. This is the reason I argue for the Reference Line to only involve products where REAL PERFORMANCE CAN BE OBJECTIVELY REALIZED and it is not left to a few exuberant members or audiophiles to "sell" subjective performance.
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Post by Deleted on Mar 26, 2012 16:33:33 GMT -5
I'll buy that ;D
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Post by macromicroman on Mar 26, 2012 16:57:10 GMT -5
This is probably a dumb question from somebody that is new to separate amplification, but why would you want less gain? Isn't more and bigger always better?
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xki
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Post by xki on Mar 26, 2012 17:37:34 GMT -5
A quick reply: A higher gain will amplify the noise floor signal from the pre/pro making the always present hiss audible. A lower gain amp will make this - zero volume - signal quieter.
This becomes really pronounced with higher efficiency speakers. If you can't really hear a hiss with 85db sensitive speakers, adding 20 db to that sound with 105db sensitive speakers could be really annoying. This can happen with even lower gain amps.
I've been really lucky with my UMC-1 and UPA-7/UPA-2. There is a hiss but it's so low, the spinning hard drive in the cable box is louder.
Edit: Long day, many thousands of words!
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jamrock
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Post by jamrock on Mar 26, 2012 18:04:38 GMT -5
There is nothing wrong per se with a high gain amp. The above post #138 is generally true. But hearing a constant hiss means that there is/are components in the chain that has a high noise floor. So, a high gain amp will usually reveal that flaw. Remember, the hight gain does not cause the hiss. It simply reveal that it is already there. My UPA-7 is also high gain at 31. My speakers have a sensitivity of 88dB. Yet, I have never heard my system to hiss, and I play it at very high volume regularly.
One of the advantage of high gain that readily comes to mind is that you can play the system very loud without having to tax the amp. So, there is very little possibility that you are going to over drive the amp before your ears start bleeding. Personally (no scientific support) I believe that a high gain amp is also able to reveal subleties in a presentation at low volume that you would normally miss with other amps until you increase volume significantly. This is one of the reasons I believe that Emo amps are so highly praised for being "musical" It getting more 'drive' at low volume.
Let me apologize for this analogy. But another passion of mine are cars. High gain is tantamount to a car with good low end torque. It is simply easier to get the car off the block and you experience a better driving sensation at low speeds. My apology again. Hopefully the point is well made.
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